"September" by Hefnawy, from Tok Tok's 2014 calendar.
For those who aren’t familiar with Tok Tok:
In the tumultuous three years since the Tahrir Square uprising, a number of young Egyptian cartoonists have persevered to defend a crack of space for free expression and dissent. Among their favorite slings: Tok Tok, an alt-comic magazine.
Tok Tok is more preoccupied with the country’s social issues than with the politicians of the day. Its narratives range from wordless strips on corrupt government officials and businessmen, to the misadventures of an antihero combating sexual harassment. The quarterly’s illustrations depict an Egypt largely absent in the mainstream press—downtown street corners, packed minibuses, cramped apartments, and daily addictions such as coffee or hashish. The artists challenge readers to attune themselves to the city life around them. Variously drawing on the aesthetics of Mad Magazine and Walt Disney, noir film and street art, Tok Tok captures Cairo’s grit, and is always penned in colloquial dialects. Mohammed Andeel, one of the magazine’s five co-founders, who goes only by his last name in the tradition of Egyptian cartoonists, calls Tok Tok “an answer to censorship.”
Continue reading my profile of the comic revolutionaries in the Winter 2014 issue of the Cairo Review of Global Affairs.